Some comments on 300:
Gary Leupp writing in Counterpunch:
In short: 300's depiction of the battle of Thermopylae is not merely inaccurate, as any film adaptation of a graphic novel has the perfect right to be. It's what the Iranians say it is: racist and insulting. It pits the glorious Greeks with whom the audience must sympathize against a "mystical" and "tyrannical" culture posing an imminent existential threat. It is, de facto, an anti-Persian/anti-Iranian propaganda film, and should be rated appropriately: not just R (for racist) but X---for extremely stupid and vicious and dangerously ill-timed.
David Denby in The New Yorker:
Based on a graphic novel by Frank Miller, the movie is a porno-military curiosity—a muscle-magazine fantasy crossed with a video game and an Army recruiting film.
And here's Dan Savage:
What isn’t up for debate is the film’s politics. The only times the Persian army doesn’t look like a gay-pride parade in hell, it looks like a crowd of madly chanting Islamic militants. And if the Spartan king has to break the Spartan law to defend Spartan freedoms? Well, sometimes a king’s gotta do what a king’s gotta do. Because, as the queen of Sparta points out, freedom isn’t free. And, yes, she uses exactly those words. George Bush is going to blow a load in his pants when he sees this movie.
For a thoroughly satisfying work of historical fiction based upon the Persian Empire, I recommend Gore Vidal's Creation over this film for.. well.. lots of reasons. But to truly appreciate the pop-cultural significance of a movie like 300 and to apprehend the title of this post, one need look no further than this vignette from Haney.
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