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Showing posts with label Krewe of Chewbacchus. Show all posts
Showing posts with label Krewe of Chewbacchus. Show all posts

Friday, February 04, 2022

The bad vibes Carnival

 Everyone is talking about this today

There’s been a great disturbance in The Force, you might say. Since the NOPD can’t muster enough officers to patrol Saturday’s Intergalactic Krewe of Chewbacchus parade, the route of the sci-fi foot procession has been substantially pruned. A krewe official said they got word of the change on Thursday evening.

Instead of starting at St. Claude Avenue and Homer Plessy Way, the 1800-person procession, named after a "Star Wars" character and the Roman god of wine, will begin at Royal Street and Elysian Fields Avenue, then continue into the French Quarter, organizers said.

This comes after we had already learned KDV's route was forcibly shortened and that most of the Uptown parades would also be required to follow a truncated route. That includes, even, Thoth whose unique "Krewe of Shut-Ins" route is designed to pass by Childrens' Hospital and a number of institutijons for the old and infirm. 

Obviously things are headed in an unsettling direction.  Of course there's much more to say about this. But, since I haven't been terrific about finishing the long posts lately, here is a link back to something I wrote in early March 2020. This was during the brief period between the start of the pandemic shut downs and the end of what was itself an ominous Carnival season of tragedies and bad vibes.  Before COVID interrupted everything, the city was getting started on a political dialog about the future of Carnival.  A lot of things were at stake in that fight. But we never got to have it. And now it looks like the city's ruling class is imposing the worst possible version of what might have come out of that process. 

Anyway, I tried to address a lot of my concerns at the time.  So check that out.  I'll try to build on it soon.

Saturday, February 15, 2020

Mardi Gras Guide Vol 1: State of Unreadiness

Napoleon neutral ground
Temporary netting protects freshly painted trees along the recently landscaped Napoleon Avenue neutral ground ahead of this weekend's parades

I'm not ready. I mean, I am basically prepared in that I've been going through usual motions of getting things in order around here. I've done some mild house cleaning. Sunday we did what we figure will be the last big laundry load until Ash Wednesday. We've taken household inventory and made trips to Wal-Mart and Rouses to stock up on the basics. We've made sure there are enough paper plates, towels and cleaning supplies. Then there are the staple coping drugs like coffee, aspirin, and pepto... fresh eggs to scramble on particularly hung over mornings. I think we've got what we need there. That much of the punch list is complete today but I'm still not ready.

Carnival is moving into high gear this weekend but many of us are having a hard time catching the spirit. Tripping the light fantastic and such is no easy trick when there is so much dark energy out there to contend with. The city is in a rotten mood.  There are several reasons for this.  Anxiety bleeds into our day to day from the Presidential election, of course, but that's likely the case everywhere that Tuesday is just Tuesday.  It doesn't help matters here but it's nothing we couldn't handle on its own.  If all politics really is local, anyway, then you should be able to say the same thing for angst. So what is it that's clouding the mood?  Let's consider a few items.

On the first day of Carnival 2020, the Advocate ran this attention-getting feature on the growing anxiety of Lakeview residents over what they claim is a sharp rise in vehicle burglaries in recent years. The headlining number is a 57% increase in reported car break-ins from 2018 to 2019.  I think those statistics could use further scrutiny, though. I'm sure we've talked about this many times on this here Yellow Blog, but crime statistics are often as much a reflection of public perception and police recording techniques as they are an actual gauge on the rate of incidents.  Police simply deciding to focus on a particular type of crime can increase the number of recorded incidents. They may also take steps to promote public awareness of certain kinds of crimes thus encouraging people to report more frequently.  If the public, for whatever reason, be it police activity, or media emphasis, just gets the feeling that it's a little more crimey out there, it can generate a feedback loop. Heightened fear of crime leads to more "awareness" leads to more police reports, leads to higher stats, leads to heightened fear of crime.  Here is a very good recent Citations Needed podcast describing the ways new technological trends in surveillance like Amazon's Ring doorbell camera and so-called "snitch" apps like Nextdoor work to supercharge the feedback loop even further.

All of these may be factors in the recent Lakeview hysteria. That came to a head just a few days after the Advocate feature on the "jump in break-ins" ran when NOPD responded to a report of teenagers pulling on car door handles by sending out a SWAT team in full tactical gear. In the resulting confrontation one cop even ended up firing his gun at the unarmed teens. The incident then led to a further crackdown at Juvenile Court where a new policy holds children arrested more than once in jail until they see a judge. The judges announced the policy change with a chilling statement saying their aim is to "rid the community of youth who pose a danger.” The Advocate's newest worst columnist, Will Sutton, capped the week off by publicly thanking the trigger happy police and the paranoid residents who called them.

Since then, matters have only gotten worse. Councilmembers have pledged to apply more "data-driven" policing. The DA is charging one of the teens as an adult. Lakeview residents gathered to yell at everyone and demand even more police and more aggressive tactics. The politics of this is only likely to get worse. I'm half-expecting a future mayoral candidate to promise a border wall at City Park Avenue. Meanwhile, researchers tell us, in order to effectively reduce violence, we would be better served to spend our time addressing our city's intolerable inequalities. But just seeing that situation described reminds us of yet another source of the general anxiety.
Sonita Singh, an associate professor of behavioral and community health at LSU School of Public Health, described New Orleans as “a landscape of inequalities,” which stem from historical and institutional practices and policies that have segregated the city by race and economics. The geography of those inequalities mirror maps showing the concentration of murders.

Transportation, education and access to jobs and training are less accessible in neighborhoods that see the most violent crime, Singh said. Employed people surviving on an inadequate wage, what Singh called “hamster wheeling,” is also common in places like the 9th Ward, 7th Ward and parts of New Orleans East.

New Orleans’ citywide average household income was $67,224 as of 2017, according to The Data Center, a local research nonprofit. In Little Woods, a neighborhood in New Orleans East that saw a large share of murders last year, the average household income was about $40,800. Nearby Plum Orchard’s average household income was $32,900. In the 7th Ward, a neighborhood that perhaps had highest concentration of murders in 2019, the average household income was $33,205.

In New Orleans, people can work themselves to the bone and still not be outside the poverty rate,” Singh said.
Like I said, the city is in a rotten mood.  It has good reason to be. 

That extends to the city's firefighters who enter this parade season in a fight with the mayor over a whole host of labor issues but mostly centered on the hardships imposed on them by understaffing and forced overtime. The city has pushed back by cancelling vacation time and, this week, pulling fire trucks from this season's Carnival parades which seems unsafe. Also it seems self-defeating since it comes just a few days after Mayor Cantrell promised that the dispute would have no effect on Mardi Gras at all.  Earlier in the week, the mayor's communications staff released a video of her saying that Mardi Gras would be covered and the cancelled vacations and overtime would amount to a "win win" for the city. Is this what she meant? Also how does she figure?

Perhaps for these reasons, or perhaps just for the sake of growing the police state in general, the feds have designated this year's Carnival a "Level 2 Special Event."  According to this DHS document that means we can expect "some level federal interagency support," on the streets during the season. This is different from a Level 1 Special Event where we would be getting "extensive" federal interagency support. What does that means in practice?   Heck if I know. Just be careful who you sell your huckabucks to if you have an unlicensed cart this year. You never know who is watching.

Trashformers
The "Trashformers" collecting recyclable items from parade goers during Krewe Delusion 

For that matter, you might also want to watch where you put your plastic bags out there.
The “prohibited throws” section was updated to prohibit parade riders from thowing: “single use plastic bags meant for throw packaging or paper streamers, or paper products that do not biodegrade when wet, or empty single-use plastic bags. Any package containing bulk throws, including but not limited to doubloons, beads, cups, trinkets, or toys shall be handed to parade attendees and shall not be thrown or tossed. Bulk throws shall be removed from any plastic packaging before being thrown or tossed.” This was proposed to help battle litter along the route, as well as alleviate the possibility of parade participants slipping on the plastic.
This is... kind of stupid.  If we want to be charitable, we can say that it comes from good intentions. It's probably a good thing on balance that people have become more conscientious about the environmental impact of "single use plastic" and the like. And it's only natural that they might examine their own perceived influence on its proliferation.  In truth, though, this is not a problem that can be fixed by subjecting individual consumption habits to strict law enforcement. If the city was really interested in limiting single use plastics, they wouldn't be handing out half a million dollars in tax exemptions to a plastic bag factory. But why worry about that when you can just performatively punish individuals behaviors?  It might not solve anything but it gets you far more "credit" from a PR perspective. And that's what this is all about anyway. That and just general antipathy.  At her pre-Mardi Gras press conference the mayor said the plastic bag policy was about "showing love," which is what she always says when she is ready to hit someone with a hammer.

On the bright side, the new ordinances appear to be more serious than ever about discouraging people from crowding the neutral ground with ladders and tents and couches and such. We'll report back later on how that goes over the first weekend's parades.  I know this website has been home to the annual ladder harangue for well over a decade now. But I've also long contended that there would be far less call for official hardassery if the city would allow the parades to spread back out across the various neighborhoods and take some of the pressure off of Uptown. Which is why we were pleased last weekend to see that the new Krewe of Nefertiti parade was such a success.
West, who graduated from nearby Abramson High School, said the parade was a sort of reunion.

“This is wonderful,” he said. “We’re seeing everybody we grew up with ... and their kids. We’re still here.”

Referring to the displacement of much of the East's population after the devastation caused by Hurricane Katrina in 2005, he said, “You think everybody moved to Houston, but they’re here.
People in East New Orleans went outside and talked to their neighbors out in the street. That's what this is supposed to be all about. Good for them.  Let's keep that going.

I still don't feel like I'm ready.  We tried to get into the spirit early this year by making the trek across to town to see Chewbacchus for the first time in almost a decade.

Drunken Wookie

Mainly the reason we did this was because, for the first time in a while, we could. A shuffle in the schedule moved Chewbacchus two weeks ahead in the calendar so that it no longer runs opposite any Uptown parades. The last one of these we saw was way back in 2012 when it was still an Uptown parade itself. After it moved across town we didn't see the point.  Anyway, during its time as a Bywater event, Chewbacchus has grown immensely in popularity but also in controversy. Often it has been seen as a symbol of the rapid gentrification and bland commercialized hip aesthetic associated with that neighborhood in the 2010s. (Please see Jules Bentley's "Farewell to the Flesh: Notes on a Cybernetic Carnival" for the definitive explication of this take.) I have to say, though, upon examining this phenomenon in person, it is nothing quite as interesting as that. For the most part it was just fans of various "nerd culture" type intellectual properties out doing cosplay with their children.

Death Star Steppers

I suppose some people really enjoy that. And I guess I can see why some people never will. But the experience is nowhere near as impressive as its gushing fans would have you believe nor as sinister as its detractors would argue. It's really just a little nerd parade. Fine, if you like that sort of thing.  But I had gone to Chewbacchus hoping to see something really cool or something that might make me really mad. Instead I came away not feeling much of anything.  Maybe I just wasn't ready.

Meanwhile literally looming over everything is the sarcophagus of a collapsed Hard Rock hotel building that sits right in the middle of downtown. Originally the project's owners were hoping to have the hotel completed and open in time for Mardi Gras. Now the plan is to implode the structure sometime before Jazzfest. More than anything else, the air of hostility and mistrust between the city, the mayor, and the contractors responsible for the disaster is the main factor the city's rotten mood this Carnival season. Its physical presence can't be ignored as several parades have had to bend their routes in order to avoid it. It has a spiritual gravity as well so strong that it resists even the carnivalesque parody and gallows humor that might otherwise seem a perfect fit for the situation. It's a rare occasion where our own sarcasm seems to have failed us.

Krewe du Vieux gave that their best shot last week when the sub-krewe Comatose put together this impressive-looking "Soft Rock" hotel float.

Soft Rock

From all appearances, their hearts were in the right place. But also it is hard not to cringe at this, "Rest In Peace, Amigo" message on the back. Racial problematics aside, just the tone of the thing is off.  If you are going to satirize something as serious as this, you have to lean in harder than this.  There is a way to be funny but it also has to be a little bit angry. A joke about a tragedy needs to achieve catharsis or else it will fail horribly.  This reads more as, "Sorry you died, LOL" and it just feels uncomfortable.

Honduran whistle blower

There was a rumor circulating last weekend that mayor tried to have the float removed or at least mellowed in some way. The city ended up forcing KDV to move its ball out of Studio Be at the last minute due to potential safety violations.  This has some people whispering that the mayor was retaliating.  It's hard to know what to believe about that. KDV members often paint themselves as politically motivated victims with little or no evidence. On the other hand, this mayor does have a habit of taking every single thing that happens as a personal affront of some kind so anything is possible. MacCash tells us here that the more mundane explanation is far more likely.  That sounds right to me but who knows.  Anyway the problem with this float is that it is already too mellow which is what makes it seem more insensitive than its intention.

Krewe Delusion was a little better with this "Hard Rock The Boat" theme.

Hard Rock the boat

It invokes the idea of righteous anger and there's a little pun in there. It's not overwhelmingly clever, though.  And it still doesn't feel like we're saying what needs to be said. Not that I know what that is, exactly.  But I do hope I will know it when I see it this year.  I hope I'm ready to know.

Friday, October 26, 2018

Do we even know how to Mardi Gras anymore

One of the nice things about Chewbacchus getting huge in recent years was the way it drew some of the crowd off of the Uptown route on the first Saturday night. Those of us who have spent the past decade or so arguing for a more diverse Carnival schedule with parades in different neighborhoods felt vindicated by this, admittedly anecdotal, evidence in our favor.

Well now the cops have had enough of all that.
The popular Intergalactic Krewe of Chewbacchus Carnival parade will roll on Saturday, Feb. 9 in 2019, two weeks earlier than its usual slot on the Mardi Gras parade calendar. Brooke Ethridge, the co-captain of the science fiction-oriented parade, said that she was made aware of the change during a routine check-in with City Hall.

Ethridge said that a city representative informed the krewe that some parades would be moved to earlier dates in order for the New Orleans Police Department to provide the best security.
So weird that with all their fancy new predictive policing and stuff they still aren't able to handle some people walking down the street on a pre-published route for a few hours. 

Saturday, January 07, 2017

Have a Convivial Carnival!

There they go. Don't blink.



And there went the sum of the action that was our annual ritual trudge out to wave at the Phunny Phorty Phellows regardless of weather conditions. Friday night those conditions were cold and rainy so we didn't spend quite as much time standing around drinking beer on the neutral ground as we might normally have.  But that's fine. Twelfth Night is really more of a moment of observance than it is a full-on celebration anyway.

On the other hand, that might be changing a little. Public Twelfth Night activities have expanded in recent years. That's pretty cool.  Did you know the Joan of Arc parade is already nine years old? This year the weather postponed them a day so we're celebrating a two-day Feast of the Epiphany this year.

And that's not all.  Here is Doug MacCash (I know, I know. That's who they sent.) covering the Not So Secret Society Of Champs-Elysees' inaugural ride on the Rampart streetcar.
Yet another new Mardi Gras custom may have been born Friday (January 6) in the chilly Crescent City, as a rolling Twelfth Night party rumbled along the tracks of the recently opened St. Claude Avenue/Rampart Street/Loyola Avenue streetcar line. The nascent krewe known as La societe pas si secrete des Champs-Elysees, or The Not So Secret Society of Elysian Fields, or simply The Society of Champs-Elysees, chartered a car in order to welcome in the 2017 Mardi Gras season with Champagne, king cake, conviviality, and a touch of chaos.

The evening began at Kajun's Pub, with fireworks and fanfare to greet guests and krewe royalty, including rhythm and blues maestro Al "Carnival Time" Johnson and activist Kathleen Barrow.  Despite a relatively stiff rain, the forty-member costumed rabble rambled to a red streetcar that waited two blocks away and climber aboard. With a lurch and a round of cheers, a new element was added to the growing downtown do-it-yourself Mardi Gras scene that has mushroomed since Hurricane Katrina in 2005.

The Society of Elysian Fields is similar to the venerable Phunny Phorty Phellows krewe that has ceremoniously ridden a St. Charles Avenue streetcar on Twelfth Night since 1982, though perhaps a tad more bohemian. In fact, rattling along with the costumed Not So Secret Society passengers was like finding oneself in the belly of a Bob Dylan song ... in the best way.
I'm sure the Champs-Elysees event was fun.  I thought I had read earlier that the group had planned a series of stops along the way that would have engaged more onlookers with something closer to the rolling street party feel one gets at an actual parade. The weather probably tamped that down a bit, though. That's a shame. But, still, congratulations them for doing a thing.

Anyway, if MacCash means to contrast the supposedly "more bohemian" nature of the Champ-Elysees with the supposedly more stuffy PPP, why does he write about it like a 19th Century society fop describing a romp at the estate of some lesser lord? Or, to put it another way, why does he write it up exactly the way Nell Nolan describes a deb party?
The beautiful clubrooms of the Pickwick Club were filled with distaff loveliness and festive formality when Mr. Pickwick hosted his 66th annual Debutante Presentation. Guests mingled from 7 p.m. to 11:30 p.m. with the presentation punctuating the conviviality at 8 p.m. Two hours later, breakfast was served. And then the lively dancing commenced to the music of the Jimmy Maxwell Orchestra.
One thing's for sure This is to going to be one hell of a "convivial" Carnival.

Or maybe it won't be.  Hostilities are already beginning to rise in some quarters. For example, just as we thought we had finally gotten past the bad feelings engendered by interminable policing of premature king cake consumption, along comes the Worst King Cake Ever Created to rile everyone back up.
Food Network's Semi-Homemade host Sandra Lee is infamous for her "Kwanzaa cake" (Anthony Bourdain once called it "a war crime on television") and white chocolate polenta (which is exactly what it sounds like, plus thyme) , but what she calls a "Mardi Gras king cake" may be just as bad. It calls for one package of Pillsbury breadstick dough and a container of pre-made frosting — no cinnamon, no spices, no filling, no fun.
On the other hand, this may be an indication that the year over year search for the most absurdly elaborate king cake has finally imploded.  Sandra Lee is just here to blow it all up because nothing matters now.

Another indicator that the conviviality has yet to set in fully, the Krewe of Chewbacchus is still setting people off. Jarvis DeBerry explains in a recent column.
In January 2016 there was a second-line in the French Quarter for British pop star David Bowie, and in Treme in April those mourning Prince's death paraded there.

But neither of those second-lines was as controversial as the Krewe of Chewbacchus' announcement last week that it would lead a second-line for Carrie Fisher, the actress who played Princess Leia in the Star Wars franchise.   If you didn't know before that New Orleans is in a period of civil war, you know it now. People on each side are self-important and therefore needlessly antagonistic.

Davis Rogan, the musician and radio personality who became a character on the HBO show "Treme," wrote online that the Carrie Fisher parade was the one time he wished somebody would shoot up a second-line. Rogan later apologized on Facebook:  "In a discussion about cultural appropriation, I made a thoughtless and vastly inappropriate joke," he wrote. "It wasn't funny, even in context, and taken as an out-of-context screenshot, it looks horrific... I want to make it absolutely clear that I bear the Krewe of Chewbacchus no ill will whatsoever. I do not condone violence. I abhor violence, and I am sickened by violence at second lines. I apologize to everyone who was offended."
There's a lot of stupidity to litigate in this story and DeBerry does a good job of it.  He doesn't mention, though, that as asinine as Rogan's comments were, no sensible person should have interpreted them as an actual threat and informed the police of them which is what the Chewbacchus people did. So nobody is without blame here.

Still, one thing I wouldn't do is blame a Carnival club themed after Star Wars (and other sci-fi) fandom for paying tribute when one of its inspirations passes.  Maybe there are good reasons to ask why so many celebrity deaths seem to merit second line parades in New Orleans lately. Or maybe not. I don't really know.  But if we are gonna go down that road, the Carrie Fisher parade probably isn't the place to jump off from.  Besides, Jarvis DeBerry points out in his column that there are far more examples of questionable parading going on around conventions and corporate events. If you're really upset about the supposed cultural appropriation at work, it's probably best to start with those.

The NolierThanThou culture wars are tiresome. Like all culture war politics they tend to obscure the fact that the actual irritant at work here is class.  It's not really this simple but, roughly, we'd do better to stop arguing over cultural appropriation and think more about cultural commodification. This means we need to stop nit-picking each others' subjective style choices and start asking what it is that actually threatens our ability to enjoy our own.  There are infinite ways in which people experience and express joy. All of them have validity even those that don't happen to be your favorite. What obscures that, though, is the conversion of  folkways by which people express their joy into luxury goods.

What we once considered the simple pleasures of life in New Orleans; the food, the music, the so-called "street culture" of parties and parades became products packaged and sold for the enjoyment of tourists.  This isn't unusual and, to a degree it's fine. But we passed a point where the commodification has also meant exclusion. Central City is a popular parading ground for Mardi Gras Indians and second-lining organizations.  This makes it an ideal neighborhood to sell on Airbnb to tourists looking to #FollowTheirNOLA to an authentic experience. Sooner or later nobody actually lives in Central City anymore. Remember what the Native Americans of Grand Bayou said about being forced to leave their homes? "If you leave, you become someone else. You are no longer the same person. No longer the same people." 

The context of all of this is things that were once cheap or free but of great value culturally are being claimed by capitalism. And people are being deprived of their homes and their culture in the process. That's the source of the anxiety.  But we respond to our anxiety over that by attacking each other's aesthetic sensibilities rather than those who are monetizing ours. The problem isn't "hipsters."  The problem is the developers, hoteliers, and landlords getting rich off of your culture and turning it into something a hipster can conspicuously consume.

But none of this has anything to do with our capacity to experience and enjoy as much of the diversity of Carnival as we care to. These are public events that invite participation and elaboration regardless of how and by whom they are staged. I mean, most of us weren't born into the right family of corporate defense lawyers so we're never getting invited to the Rex ball. But a lot of us do like going to see the Rex parade. We're not all 'treppish transplanted comic book geeks either but Chewbacchus is a cool event too. There's a lot to see and do in the next month and a half. Do as much or as little as you wanna. As long as you can still afford to actually live here, you might as well actually live, right?